The visuals, like the score, are exaggerated and stylistic, starting off with the helicopter shot following Tom's car into the countryside, making him seem dwarfed by the surrounding land, a tiny figure entering an unknown isolated world. It was screened in the main competition section at the 70th Venice International Film Festival in 2013, and also at the 2013 Toronto International Film Festival. The score punctuates all of the scenes, casual or intense, adding portentous emotion, tension, fear of what is coming. (Those scenes, on the whole, are not successful.)
Bonded and Unbound: Sean Connery, 1930-2020, Disney+'s The Mandalorian Makes a Valiant Return in Season Two Opener, Amazon's Truth Seekers is Missing Jokes and Scares. Francis reveals that he used to take dance classes, and in one haunting scene, Francis and Tom ballroom dance through the empty barn, Francis dipping Tom back gallantly, the scene moving to romantic slo-mo. Francis is so intimidating, so awful really, that it's strange that Tom doesn't just leave immediately after the funeral. That’s where he missteps. The ending, too, rests entirely upon a repeated visual that haunts to the bone. Knowing next to nothing of his former partner’s family, Tom sets out to the countryside to attend the funeral. Francis won't let Tom leave, throwing obstacles in his way.
 Kate Taylor wrote a negative review in The Globe and Mail, criticizing Dolan for reusing similar shots and questioning why Francis would become a social pariah rather than go to prison. Tom at the Farm (French: Tom à la ferme) is a 2013 Canadian psychological thriller film directed by and starring Xavier Dolan.  Variety's Guy Lodge also wrote a positive review of the film, citing it as "Dolan's most accomplished and enjoyable work to date, ... also his most commercially viable". Tom's cell phone doesn't work. The film is based on the play of the same name by Michel Marc Bouchard, who co-wrote the screenplay with Dolan. The opening scene of “Tom at the Farm” is a microcosm of Dolan’s style. Francis picks fights with Tom, one particularly horrible one in the cornfield, with Tom getting torn to shreds by the razor-sharp dead corn stalks.
And as the lies compound, reality warps into nightmare. In thrillers, people are always making ridiculous choices that go against their self-interest, or ignoring the red flags in front of them of potential predators. Read her answers to our Movie Love Questionnaire here.
At the farm home, Tom tells Agathe he made his decision because he was dissatisfied with the writing quality of his eulogy. He arrives at a very modest farmhouse, where’s he’s invited to stay with the deceased young man’s mother. Québécois filmmaker Xavier Dolan is only 26 years old and has already directed 5 features, 4 of which he wrote. All of them choose denial. A raging homophobe, Francis “knows what Tom is” and will do everything in his power to keep that secret from his mother. Why ‘Mank’ and ‘Borat 2’ Are Serious Oscar Contenders in a Very Strange Year, ‘Soul’ Aims for Oscar Glory as Disney Shifts to Streaming, but Not All Films Deserve the Same Release, How Closed Theaters, Drive-In Movies, and Netflix Supremacy Are Shaping Oscar Season, Introducing ‘Deep Dive’: Damon Lindelof and His Team Go Behind the Scenes of ‘Watchmen’, ‘Succession’: How Editing Helps Every Dinner Scene Come to Life — Deep Dive, Becoming Hooded Justice: The ‘Watchmen’ Craft Team Analyzes the Emotional, Pivotal Scene – Deep Dive, 40 Must-See New Movies to See This Fall Season, The Fate of Movie Theaters Could Hinge on the Outcome of the Election, Zoe Lister-Jones Shook Up Hollywood with Her All-Female Crew, Now She’s Doing It with ‘The Craft: Legacy’. Dolan also liked the role of the mother in the play, since "mothers and sons, .. exhausted mothers is always appealing" to him. Today, Amplify will finally release Dolan’s highly-anticipated thriller, and we’re happy to report that it’s been worth the wait. More problems arise when Francis (Pierre-Yves Cardinal), Guillaumes's swaggering older brother, who still lives at home with his mother, struts into the kitchen bare-chested, seething with hostility towards the blonde urban interloper.
Sarah meets with Tom, who says the farm feels real to him and that his work is needed. Francis remains intense towards him, although they dance in the barn, and Francis tells Agathe they named a calf Bitch Ass, in Tom's honour. Tom at the Farm (French: Tom à la ferme) is a 2013 Canadian psychological thriller film directed by and starring Xavier Dolan. Tom Rob Smith's latest thriller is based on his own frightening real-life experience with his mother's mental illness.
Grief, lies and webs of deceit are the flesh-eating monsters. Sign up for our Email Newsletters here.
, In nominations, Tom at the Farm was a major contender at the 2nd Canadian Screen Awards, where it was competing for Best Motion Picture. The opening scene of “Tom at the Farm” is a microcosm of Dolan’s style. Nobody does. It’s a wonder, then, that the film took so long to reach U.S. audiences.  Irish Times' Tara Brady gave it five out of five stars and hailed it as a "work of genius", in which Dolan "transforms Michel Marc Bouchard's source stage play into a unique, enigmatic thriller". In one terrible moment, Francis spits into Tom's open mouth. It’s a suicide note, as it is being written. Francis has no friends, Francis hates gay people, swaggers like a rooster, glories in his singularity. Although the funeral has passed, Tom remains at the farm and begins helping Francis with the chores, particularly milking and calving. In choosing not to build out Tom’s psychological framework, Dolan risks alienating more than a few viewers.
The lush and heavy-on-the-strings score of Gabriel Yared is a clue to what Dolan was after. He was warned it could be dangerous, but because it had been raining he didn't suffer any cuts. When the young man dancing with Guillaume told Francis he had something to say about Guillaume, Francis viciously assaulted him, tearing into his face with his hands. Read More: Xavier Dolan on Being an Actor First and the ‘Unfathomable’ Release of ‘Tom at the Farm’. Dolan knows what to reveal and what not to reveal; he’ll wait to show you someone’s face, or he won’t show it at all.  It opened on 30 May in Toronto and Vancouver, followed by screenings in Victoria, British Columbia on 20 June. It’s a suicide note, as it is being written. The house is number 69 (and with Dolan, you know that’s not unintentional).
This idea was scrapped during the editing process, and he asked the Academy Award-winning composer Gabriel Yared to create the score for the film. When alone with Sarah, Francis deduces Tom has contacted her and persuaded her to come to the farm and pose as Guillaume's girlfriend, attacking and making threatening sexual advances on her.
Later that night, Tom is awakened by Francis, who menacingly says he knew Tom would come, and tells him to give an agreeable eulogy and not to posthumously out Guillaume, to please Agathe. The thriller elements, the chase scenes, the reveal of horrifying secrets, feel like add-ons, clumsily done and unmotivated, especially when compared to the dark and deep dance (metaphorical and literal) of violence and sex going on between Tom and Francis. These are the best sections of the film. Based on a play written by Michel Marc Bouchard (and Bouchard wrote the adaptation with Dolan), the adaptation appears to adhere closely to the original (I have not seen the play), with only a couple of scenes where the action is "opened up." But there’s another side of the coin to this particular strength of Dolan’s. The most interesting poetry, though, is what exists between Tom and Francis as their relationship deepens. There's not enough structure to these different threads. He’ll play with your expectations so that you’ll think a murder has been committed in lieu of a routine slaughter. After being chased by Francis and leaving the community, Tom spots a man at a service station with facial scars matching the bartender's described attack. He praised the "glorious" score by Yared and the "gorgeous" cinematography of André Turpin. "Tom at the Farm" strains to be a psychological thriller but its length (102 minutes) dissipates the tension that should be taut and compressed.  In Canada, La Presse critic Marc-André Lussier gave it three and a half stars, finding it distinct from Dolan's previous works, more Hitchcockian, and praising André Turpin's photography and how Yared's score complemented the story. Then, black. Review aggregation website Rotten Tomatoes reports that 78% of critics have given the film a positive review based on 69 reviews, with an average score of 7.11/10. Tom is a young man whose boyfriend Guillaume has recently died (at 25, from some kind of accident which is never really explained). Francis afterwards confronts Tom in a bathroom stall about the mishap.  It also at the 2013 Toronto International Film Festival in the Special Presentation section. Through violence and threat, the sadistic brother forces Tom to lie about his deceased boyfriend. After completing his 2012 feature film Laurence Anyways, Dolan felt that "a change of direction was needed" since, in his own words, the previous three movies dealt with the "subject of impossible love". “Tom at the Farm,” the fourth film from the 26-year-old French Canadian wunderkind Xavier Dolan, is a teasing exercise in unfettered narcissism that sticks its …  Roy found it different to be on an actual farm and said she was challenged by what she found to be a lonely shoot. , The Hollywood Reporter's critic David Rooney reviewed the film unfavorably and criticized Dolan for being self-obsessed. The haunting orchestral music and low-contrast cinematography give the scenes between the men a surreality uncommon in the horror-thriller fare of today.
Sign Up: Stay on top of the latest breaking film and TV news! We open on a tight frame. There’s a dramatic cognitive dissonance at play, and Dolan takes for granted that the audience will be willing to suspend disbelief. Small tasks at the farm and simple human interactions easily turn sinister by way of omission. The film premiered two years ago at Venice to critical acclaim, securing over 40 international buyers, though its prospects remained bleak stateside. It's really the story, and Dolan's intense interest in them is clear in the lingering way these scenes are shot.But as the film continues on and on (it's way too long), and Sarah (Evelyne Brochu), a city friend of Tom's shows up, pretending to be the girlfriend in order to put Agathe's mind at ease, "Tom at the Farm" unravels. Dolan is Tom, a young man from Montreal whose boyfriend has just committed suicide. And so Tom becomes a pawn in an elaborate charade. , Peter Bradshaw of The Guardian described it as an "intriguing [film] coiled with ardor and fear".
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